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B E E T H O V E N), Romantic (early, middle, late Brahms Wagner – basically all film scoring is based on the principals of the late romantic era), so-called post-tonal and other concepts of Music (Music after 1913/45), Listen to Jazz also to see how to break/bend the rules )

Listen to the Classical Music of all eras: From the Middle Ages to Renaissence to Barock (mainly Bach) to Wiener Classic (Haydn, Mozart and esp.

These need to be developed in parallel and can help you a lot. Here's what I think you should do in order to build a skillset for composing classical music. I had music theory, historical organology and formal music history in my sound design school last year, which I thought sucked ass in the beginning but in the end REALLY expanded my mind in terms of thinking about sound and its impact! So I think I can give you a little bit of strategic insight. It is a very long road & I wish u the best of luck *yes* Then you will have the best grounding available upon which to expand your creativity & understand what you are doing & which direction you wish to take it.Īlso I would suggest that Ableton is possibly not the best choice of DAW but that is always up to you. I would say what is paramount is to listen, listen & listen again and try and attach your ears to the various scale shapes ect till you become so familiar that thinking about becomes second nature. For example Eric Johnson applied it to Hexatonic scale structures out of his vast profound knowledge of Pentatonic shapes & how they linked across the fretbord so how did his deep seated knowledge of correctness stifle creativity in that sense? I'm not saying you must learn but if you do it will definitely serve you better in the long run with regards to creativity 'outside the box'. However that is not to say you can't then apply what is correct & create something completly new. Of course Musical theory is of vital importance when wanting to further your knowledge of Classical Music.

More often than not these people already know how to play this stuff but learning Theory normally gives them a whole other multide of options especially creatively wise i.e in guitar linking modes i.e Dorian etc etc can lead you to the point of being able to effectively improvise over any given chord structure. You can't simply say a deep seated understanding of musical theory stifles creativity. Many world class musicians have stated that once they learned musical theory or 'correctness' it opened up a whole different dimension. Why remake the wheel when there is a framework for this sort of stuff, it doesn't mean you have to adhere to classical guidelines because some of those are broken regularly but you should know the framework and then learn how you can twist it to your own creative benefit.Ĭlick to expand.Personally that's rubbish imo. You should know what works and what doesn't, you should understand why things work or don't, what makes a melody good, how to deal with instrumentation, harmony and voicing and all that good stuff. If he were trying to make Industrial I would say you don't necessarily need it (though many famous Industrial artists actually know music theory) but when we're talking orchestral/soundtrack stuff you should know theory. In my opinion you should know the rules of a system in order to effectively break them. Also knowing music theory doesn't mean you can't experiment in fact I think those experiments can sometimes yield more fruitful results because you're controlling your chaos.

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If you program in C++ you don't say I don't need to know the language, you either know it or you don't code C++ programs. You should know music theory, if not then it equates to wanting to communicate and not knowing a language. You will notice most type of patterns (so much for music theory) and with that as a base You can develop Your own style. Start doing covers of favorite tracks and start braking them down one by one. This is only one of methods of approaching comp. You can build amazing tracks just by having those "piano skills".īase melody (getting a good idea is most difficult part) > adding sections ( filling spectrum ) > harmonies > drums and filler sounds different, and much often great composition) ( Just because You know what is optimal and desired standard You might not do any experiments.

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How to read and write sheet music not needed at all if You are "in box" producer/composer ( or You can always export recorded midi session and software will translate everything to sheet music if needed)įrom my experience I can tell that having deep music theory knowledge is somewhat useful and at the same time it's holding back Your creativity